El Greco Iconography Pigment - Grey - 100gr
Theophanis the Greek pigments are named in honor of the great Byzantine icon painter Theophanis the Greek (1340–1410), one of the most influential figures of late Byzantine art.Ultra-fine pigments for icon painting and fine art, free of impurities or coarse particles.Sourced from selected mines around the world, including rare and exotic locations. + Read More
Theophanis the Greek pigments are named in honor of the great Byzantine icon painter Theophanis the Greek (1340–1410), one of the most influential figures of late Byzantine art.
- Ultra-fine pigments for icon painting and fine art, free of impurities or coarse particles.
- Sourced from selected mines around the world, including rare and exotic locations.
- Superior to low-grade (construction-type) pigments thanks to:
- Excellent opacity (colors marked O – Opaque).
- Outstanding lightfastness (marked *, **, ***).
- Consistent, finely milled particle size.
- Easily mixed with egg or glue for traditional icon painting, as well as color-making media such as linseed oil, alkyd resins, etc.
- Suitable for both professional and hobbyist icon painters and artists.
- T : Transparent | S/O : Semi-Opaque | O : Opaque
- FR : Suitable for FRESCO technique
- o : Light sensitive | * : Medium lightfastness | ** : Good lightfastness | *** : Very good lightfastness
- Note: When opacity or lightfastness is not specified, no information is provided by the supplier.
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Color FamilyBlack & Grey
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Paco code8311401
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No.9
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Color NameGrey
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ManufacturerEl Greco
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Product TypeDry Pigments
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Barcode5212016644047
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Size100gr
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SKUELGREC-400.100-9
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DescriptionDry Pigment
Πληροφορίες Χρωστικής
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Pigment NamePW6-Titanium White
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Pigment typeinorganic
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Chemical Nametitanium dioxide
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Chemical FormulaTiO2
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Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
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Permanence
Titanium White has excellent permanence and lightfastness.
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Toxicity
Titanium dioxide is highly stable and is regarded as completely non-toxic. Animal studies do not indicate that it is absorbed biologically, even after long periods of exposure. The primary safety concern is with inhalation of fine pigment dust particles. If inhaled in large amounts over several years, Titanium White may cause benign pneumoconiosis visible on x-rays. The National Institute of Occupational Safety and Health (NIOSH) considers fine titanium dioxide particles, if inhaled, to be a human carcinogen. The primary concern for artists is to avoid exposure to fine particulate dust from raw pigments.
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History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
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Pigment NamePBk7-Lamp Black
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Pigment typeinorganic
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Chemical Namecarbon
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Chemical FormulaC
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Properties
Lamp black is a very opaque, heavily staining black pigment that does not have much covering or tinting power. It is typically the most opaque black in watercolor form. Though a very pure black, it tends to muddy slightly in mixtures. Natural sources may be brownish or bluish in tone because of impurities. When used in oil paints, it is one of the slowest drying pigments, and should not be used in underpainting or applied in layers underneath other colors.
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Permanence
Lamp Black is very lightfast and absolutely permanent. It is used in all techniques in permanent painting.
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Toxicity
Carbon itself is not considered hazardous, however other combustion products that are hazardous are often present as impurities when Lamp Black is produced from natural materials. For this reason, commercial preparations of the pigment should be considered.
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History
Lamp Black is a carbon based black traditionally produced by collecting soot (known as lampblack) from oil lamps. It has been used as a pigment since prehistoric times. It is the black found in Egyptian murals and tomb decorations and was the most popular black for fresco painting until the development of Mars Black.
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