El Greco Iconography Pigment - Vermillion Opaque - 100gr
Theophanis the Greek pigments are named in honor of the great Byzantine icon painter Theophanis the Greek (1340–1410), one of the most influential figures of late Byzantine art.Ultra-fine pigments for icon painting and fine art, free of impurities or coarse particles.Sourced from selected mines around the world, including rare and exotic locations. + Read More
Theophanis the Greek pigments are named in honor of the great Byzantine icon painter Theophanis the Greek (1340–1410), one of the most influential figures of late Byzantine art.
- Ultra-fine pigments for icon painting and fine art, free of impurities or coarse particles.
- Sourced from selected mines around the world, including rare and exotic locations.
- Superior to low-grade (construction-type) pigments thanks to:
- Excellent opacity (colors marked O – Opaque).
- Outstanding lightfastness (marked *, **, ***).
- Consistent, finely milled particle size.
- Easily mixed with egg or glue for traditional icon painting, as well as color-making media such as linseed oil, alkyd resins, etc.
- Suitable for both professional and hobbyist icon painters and artists.
- T : Transparent | S/O : Semi-Opaque | O : Opaque
- FR : Suitable for FRESCO technique
- o : Light sensitive | * : Medium lightfastness | ** : Good lightfastness | *** : Very good lightfastness
- Note: When opacity or lightfastness is not specified, no information is provided by the supplier.
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Color FamilyYellow & Orange
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Color NameVermillion Opaque
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Paco code8311344
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No.15
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ManufacturerEl Greco
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Product TypeDry Pigments
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Barcode5212016642227
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Size100gr
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SKUELGREC-400.100-15
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DescriptionDry Pigment
Πληροφορίες Χρωστικής
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Pigment NamePW6-Titanium White
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Pigment typeinorganic
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Chemical Nametitanium dioxide
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Chemical FormulaTiO2
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Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
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Permanence
Titanium White has excellent permanence and lightfastness.
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Toxicity
Titanium dioxide is highly stable and is regarded as completely non-toxic. Animal studies do not indicate that it is absorbed biologically, even after long periods of exposure. The primary safety concern is with inhalation of fine pigment dust particles. If inhaled in large amounts over several years, Titanium White may cause benign pneumoconiosis visible on x-rays. The National Institute of Occupational Safety and Health (NIOSH) considers fine titanium dioxide particles, if inhaled, to be a human carcinogen. The primary concern for artists is to avoid exposure to fine particulate dust from raw pigments.
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History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
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Pigment NamePO34-Diarylide Orange
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Pigment typeorganic, disazo
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Chemical Name-
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Chemical Formula-
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Properties
Diarylide Orange is a bright, reddish orange.
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History
Diarylide Orange has been widely used in printing inks, plastics, emulsions, coatings and textile printing.
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Pigment NamePO36-Benzimidazolone Orange
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Pigment typeorganic, monoazo
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Chemical Name-
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Chemical FormulaC17H13ClN6O5
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Properties
Benzimidazolone Orange is a reddish orange pigment that can lose its intensity and become dull in tints. It has an average drying time.
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Permanence
Benzimidazolone Orange has excellent lightfastness and outstanding heat and solvent stability for a monoazo pigment.
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Toxicity
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History
The benzimidazolone group of pigments was developed and patented in 1960 by Hoechst A.G., a German chemical manufacturer that was a forerunner of the pharmaceutical company Aventis. Use of benzimidazolone pigments in the auto industry, especially Benzimidazolone Orange, became common in the 1980s because they were common replacements for lead chromate pigments, which were phased out during this period.
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