Iconography Pigment No 215 - Burnt Umber Dark Brown - 50gr KREMER
Εξαιρετικής ποιότητας σκόνη αγιογραφίας Kremer. Δουλέψτε την με αυγό, κόλλα, ακρυλική ρητίνη ή άλλα ενδιάμεσα (medium) ζωγραφικής. + Read More
- Εξαιρετικής ποιότητας σκόνη αγιογραφίας Kremer.
- Δουλέψτε την με αυγό, κόλλα, ακρυλική ρητίνη ή άλλα ενδιάμεσα (medium) ζωγραφικής.
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No.215
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ManufacturerKremer
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Color NameΌμπρα Ψημένη T FR ***
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Product TypeDry Pigments
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Barcode4072000500008
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Color FamilyBrown
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Paco code9851014
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Size50gr
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SKUSKONES-215-50
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DescriptionDry Pigment
Πληροφορίες Χρωστικής
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Pigment NamePBr7-Burnt Umber
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Pigment typeearth
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Chemical Nameiron oxides with manganese silicates or dioxide
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Chemical FormulaFe2O3,MnO2 or Fe2O3+MnO2+nH2O+Si+Al2O3
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Properties
Burnt Umber is a more intense reddish brown pigment that results from heating the clay pigment Raw Umber. It has medium to excellent tinting strength and high opacity, and it is quick drying in oil form. Burnt Umber is somewhat more transparent than Raw Umber. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It can tend towards chalkiness in dark mixes in oil form, but overall it mixes well with other colors. To create a black color in oil form, mix Burnt Umber with Phthalo Blue or Ultramarine. To achieve a similar color in watercolor form, mix it with Ultramarine or Payne's Gray.
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Permanence
Burnt Umber has good permanence.
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Toxicity
Burnt Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.
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History
This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.
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