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Iconography Pigment No 241 - Zinc White - 50gr KREMER

Paco Code: 9851058
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€2,80
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Εξαιρετικής ποιότητας σκόνη αγιογραφίας Kremer. Δουλέψτε την με αυγό, κόλλα, ακρυλική ρητίνη ή άλλα ενδιάμεσα (medium) ζωγραφικής.   + Read More

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  • Εξαιρετικής ποιότητας σκόνη αγιογραφίας Kremer.
  • Δουλέψτε την με αυγό, κόλλα, ακρυλική ρητίνη ή άλλα ενδιάμεσα (medium) ζωγραφικής.
  • Manufacturer
    Kremer
  • Product Type
    Dry Pigments
  • Barcode
    4630000000500
  • Color Family
    White & Clear
  • Paco code
    9851058
  • No.
    241
  • Size
    50gr
  • SKU
    SKONES-241-50
  • Description
    Dry Pigment
  • Color Name
    Άσπρο Τσίγκου S/O FR ***

Πληροφορίες Χρωστικής

Αυτο το χρώμα περιέχει τις παρακάτω χρωστικές:
  • Pigment Name
    PW4-Zinc White
  • Pigment type
    inorganic
  • Chemical Name
    zinc(II)-oxide
  • Chemical Formula
    ZnO
  • Properties

    Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.

  • Permanence

    Zinc White has great permanence and lightfastness.

  • Toxicity

    Zinc White is moderately toxic if ingested and slightly toxic if inhaled.

  • History

    Though historians are divided on who first isolated the element zinc, they agree that it was first suggested as a white pigment in 1782. Zinc White was accepted as a watercolor in 1834 and was called Chinese White due to the popularity of oriental porcelain in Europe at the time. Ten years later, a suitable oil form was produced. By the early 20th century, it had improved to the point where it was an acceptable alternative to Flake White.

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