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Iconography Pigment No 252 - Iron Oxide Red 160 M - 50gr KREMER

Paco Code: 9851102
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€1,90
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Εξαιρετικής ποιότητας σκόνη αγιογραφίας Kremer. Δουλέψτε την με αυγό, κόλλα, ακρυλική ρητίνη ή άλλα ενδιάμεσα (medium) ζωγραφικής.   + Read More

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  • Εξαιρετικής ποιότητας σκόνη αγιογραφίας Kremer.
  • Δουλέψτε την με αυγό, κόλλα, ακρυλική ρητίνη ή άλλα ενδιάμεσα (medium) ζωγραφικής.
  • Manufacturer
    Kremer
  • Product Type
    Dry Pigments
  • Barcode
    4821000500002
  • Color Family
    Brown
  • Paco code
    9851102
  • No.
    252
  • Size
    50gr
  • SKU
    SKONES-252-50
  • Color Name
    Χοντροκόκκινο O FR ***
  • Description
    Dry Pigment

Πληροφορίες Χρωστικής

Αυτο το χρώμα περιέχει τις παρακάτω χρωστικές:
  • Pigment Name
    PR101-Red Iron Oxide
  • Pigment type
    earth, synthetic
  • Chemical Name
    iron oxides (synthetic), iron oxide, silica, alumina, lime, and magnesia or hydrated iron oxide
  • Chemical Formula
    Fe2O2 or Fe2O3 x H2O
  • Properties

    Red iron oxide varies in hue and transparency, depending on hydration and slight impurities. Indian Red is a slightly duller, deep brick hue with a bluish undertone. It is very dense and opaque, with excellent tinting strength and covering power. It is dependable when mixing with all other permanent pigments and yields good flesh tints when mixed with Zinc White. It is the synthetic version of PR102, which is a pigment made from earth reds, or natural red iron oxides, and the names applied to PR101 and PR102 often overlap. The synthetic red iron oxides have mostly replaced natural red iron oxides and are brighter, stronger, finer, and more permanent. Indian Red is the highest grade bluish shade. Light Red, English Red, and Venetian Red are yellowish shades. Mars Violet is a dull and subdued bluish or purplish oxide.

  • Permanence

    Red iron oxide is very lightfast with excellent permanence.

  • Toxicity

    Red iron oxide has no significant hazards.

  • History

    Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.

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