Pebeo Lino Ink, Νο511 Burnt Sienna - 80ml
High-quality water-based lino printing inks for printing from linoleum, wood and other relief printing materials. Their smooth, creamy consistency rolls out effortlessly with a brayer, producing sharp details, crisp outlines and even colour coverage.Rich, high-coverage colours formulated with highly concentrated, stable pigments for vibrant, clean + Read More
- High-quality water-based lino printing inks for printing from linoleum, wood and other relief printing materials. Their smooth, creamy consistency rolls out effortlessly with a brayer, producing sharp details, crisp outlines and even colour coverage.
- Rich, high-coverage colours formulated with highly concentrated, stable pigments for vibrant, clean prints, even on dark papers. Available in 24 colours, including metallic, fluorescent and Duochrome shades that change appearance depending on the viewing angle and lighting.
- All colours are fully intermixable, allowing you to create an unlimited range of custom shades. Approximately 15 minutes of working time and an estimated 30-minute drying time on paper. They can also be used with Pebeo LINO auxiliaries to extend the working time or create lighter shades without reducing opacity.
- Easy cleanup with warm water and soap, with no need for solvents. Highly economical, as 1ml of ink is sufficient to cover approximately one A5 printing plate (14.8x21cm), depending on the printing technique and the amount of ink applied.
- 80ml tube made from 70% post-consumer recycled (PCR) plastic, with clear labelling of the lightfastness, opacity and pigment composition of each colour. Suitable for both beginners and experienced printmakers.
- Important: Protect from freezing, as freezing permanently damages the ink.
-
Paco code7610542
-
Color NameBurnt Sienna
-
No.511
-
ManufacturerPebeo
-
Product TypeEtching Inks And Grounds
-
Barcode3167861415118
-
Color FamilyBrown
-
Size80ml
-
SKUPEBEOC-141511
-
DescriptionLino Ink
Πληροφορίες Χρωστικής
-
Pigment NamePW6-Titanium White
-
Pigment typeinorganic
-
Chemical Nametitanium dioxide
-
Chemical FormulaTiO2
-
Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
-
Permanence
Titanium White has excellent permanence and lightfastness.
-
Toxicity
Titanium dioxide is highly stable and is regarded as completely non-toxic. Animal studies do not indicate that it is absorbed biologically, even after long periods of exposure. The primary safety concern is with inhalation of fine pigment dust particles. If inhaled in large amounts over several years, Titanium White may cause benign pneumoconiosis visible on x-rays. The National Institute of Occupational Safety and Health (NIOSH) considers fine titanium dioxide particles, if inhaled, to be a human carcinogen. The primary concern for artists is to avoid exposure to fine particulate dust from raw pigments.
-
History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
-
Pigment NamePR101-Red Iron Oxide
-
Pigment typeearth, synthetic
-
Chemical Nameiron oxides (synthetic), iron oxide, silica, alumina, lime, and magnesia or hydrated iron oxide
-
Chemical FormulaFe2O2 or Fe2O3 x H2O
-
Properties
Red iron oxide varies in hue and transparency, depending on hydration and slight impurities. Indian Red is a slightly duller, deep brick hue with a bluish undertone. It is very dense and opaque, with excellent tinting strength and covering power. It is dependable when mixing with all other permanent pigments and yields good flesh tints when mixed with Zinc White. It is the synthetic version of PR102, which is a pigment made from earth reds, or natural red iron oxides, and the names applied to PR101 and PR102 often overlap. The synthetic red iron oxides have mostly replaced natural red iron oxides and are brighter, stronger, finer, and more permanent. Indian Red is the highest grade bluish shade. Light Red, English Red, and Venetian Red are yellowish shades. Mars Violet is a dull and subdued bluish or purplish oxide.
-
Permanence
Red iron oxide is very lightfast with excellent permanence.
-
Toxicity
Red iron oxide has no significant hazards.
-
History
Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.
No files available
Customer Reviews
No reviews yet