Sennelier Oil Stick 136 Titanium Buff - 38ml
Oil stick is a aterial that allows approaching oil painting in a different way, expanding the artist's freedom of expression. Made from excellent quality materials: pure pigments are ground and mixed in vegetable-based oils, which have a low degree of yellowing over time. They are particularly resistant to light. They work with the traditional aux + Read More
- Oil stick is a aterial that allows approaching oil painting in a different way, expanding the artist's freedom of expression.
- Made from excellent quality materials: pure pigments are ground and mixed in vegetable-based oils, which have a low degree of yellowing over time. They are particularly resistant to light.
- They work with the traditional auxiliaries of oil paints (solvents, oils, etc.) to achieve sophisticated styles.
- They are suitable for: canvas, cardboard, paper and cardboard.
- To be applied in thin layers (not thicker than 1mm). You can paint over the layers again. It dries within 2 to 5 days depending on the thickness of the layer and the atmospheric conditions.
- Transparent medium (No 003) is also available to achieve greater transparency and glossiness in the colors.
- Before painting, remove the protective crust over the Oil stick. The crust regenerates after a few days without use.
- They are stored for a long time, as long as you avoid exposing them to heat sources that can damage them.
- Can be varnished like normal oil paints, after a minimum drying period of 6 months, using oil painting varnishes.
- 38ml Dimensions approx. Ø20mm - 130mm.
- 96ml Dimensions approx. Ø30mm - 148mm.
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No.136
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ManufacturerSennelier
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Product TypeOil Sticks
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Barcode3046451965205
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Color FamilyWhite & Clear
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Color NameTitanium Buff
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Paco code7102620
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SKUSENNEL-N130125.136
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Size38ml
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DescriptionOil Stick
Πληροφορίες Χρωστικής
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Pigment NamePW6-Titanium White
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Pigment typeinorganic
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Chemical Nametitanium dioxide
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Chemical FormulaTiO2
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Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
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Permanence
Titanium White has excellent permanence and lightfastness.
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Toxicity
Titanium dioxide is highly stable and is regarded as completely non-toxic. Animal studies do not indicate that it is absorbed biologically, even after long periods of exposure. The primary safety concern is with inhalation of fine pigment dust particles. If inhaled in large amounts over several years, Titanium White may cause benign pneumoconiosis visible on x-rays. The National Institute of Occupational Safety and Health (NIOSH) considers fine titanium dioxide particles, if inhaled, to be a human carcinogen. The primary concern for artists is to avoid exposure to fine particulate dust from raw pigments.
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History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
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Pigment NamePBr7-Burnt Umber
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Pigment typeearth
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Chemical Nameiron oxides with manganese silicates or dioxide
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Chemical FormulaFe2O3,MnO2 or Fe2O3+MnO2+nH2O+Si+Al2O3
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Properties
Burnt Umber is a more intense reddish brown pigment that results from heating the clay pigment Raw Umber. It has medium to excellent tinting strength and high opacity, and it is quick drying in oil form. Burnt Umber is somewhat more transparent than Raw Umber. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It can tend towards chalkiness in dark mixes in oil form, but overall it mixes well with other colors. To create a black color in oil form, mix Burnt Umber with Phthalo Blue or Ultramarine. To achieve a similar color in watercolor form, mix it with Ultramarine or Payne's Gray.
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Permanence
Burnt Umber has good permanence.
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Toxicity
Burnt Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.
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History
This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.
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Pigment NamePY42-Mars Orange
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Pigment typeinorganic, earth
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Chemical Nameiron oxide
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Chemical FormulaFe2O2 or Fe2O3H2O
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Properties
Mars Orange is a bright, extremely light red and appears almost pinkish in contrast with darker colors. It has incredible tinting strength and opacity. The synthetic form of Mars Orange is made from iron oxides and is cleaner, brighter, and denser than its ochre-based counterparts.
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Permanence
Mars Orange has excellent permanence and lightfastness.
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Toxicity
Mars Orange has no significant hazards.
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History
The word Mars refers to the Roman god of iron and war. Mars Orange has been manufactured as a pigment since the 17th century.
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